What to do while the boss is away...

I have been left unsupervised by my boss who is on a road trip working out of our other locations around the globe in a mission to streamline our CGP process. Less amendments, quicker production times and new design references should improve our quality and reduce our production cost. Meanwhile my unsupervised self was overcome yesterday with the urge to watch Wimbledon while at work. I had the tennis on one screen and a plethora of windows open on the other. For one afternoon I remembered what it's like to try and work with one computer screen. It was horrible. It really is a "you can never go back" scenario. Trying to clear a mounting list of tasks on a single screen made me feel like I was back in the stone age. I came perilously close to donning a loin cloth and starting a fire with two sticks. Then I remembered how bloody difficult it is to start a fire with naught but two sticks and decided to forge on with my ever expanding task list and a renewed respect for stone age man. By the time I'd beaten back the urgent items the tennis was over anyway. So what have I learned this week.

1:   Even when you can watch the tennis, you can't watch the tennis

2:   It won't be long before I need 3 computer screens

3:   Work flow process' are essential in large studios

4:   The time difference between the UK and Delhi is 4.5 hours

5:   CGP Artists don't like work flow process'

6:   CGP Artists just like being arty and getting on with it.

7:   Left to their own devices the CGP artists would take forever and create great work

8:   Which we'd then have to sell at a loss.

9.   I'm thankful the artists aren't left to there own devices.

CGP will change the way you live your life.

The nostalgic bit

Every now and then a technology comes along that changes everything. The last two were mobile phones and then the internet. My first memory of mobiles taking the world by storm was walking down the street trying to avoid the weirdo talking to himself, only to discover he was on a phone. I vowed I’d never become one of the “mobile crowd”, viewing them as a bunch of show off faddish slaves. Of course that vow went the same way as my new year resolutions. I now own a mobile and several years later still haven’t made it into the gym. Then the internet arrived and let’s face it, it was pretty useless initially. We hadn’t really worked out what it was for, but after a few years the “killer applications” arrived, email was prevalent, search engines evolved and information at our fingertips we could plug into the global market place at a consumer level.

The prophetic bit

Access to communications and information has changed the rules of the game for ever in a way that we as consumers through to tail chasing governments and defiant despots have yet to fully realise. CGP is going to play a major role in the next great leap forward. Tablet computers and perhaps more importantly smart phones have opened the door to “Augmented Reality (AR)”, a view of the real world augmented with computer generated photography. The concept has been around for a while but now in the form of the millions of handsets currently in use, it has the platform that will make it commercially viable to develop applications that actually affect that way that Joe blogs on the street interacts with the world. We are currently involved in a number of projects examining the way AR can be applied including seeing how products would look in your home and in store product information presented in a relevant and personal way. All of these ideas and products can be supplied as apps to your phone. The ones that don’t really fly will die and the ones that change the way you interact with the world, well, they’ll change everything.

Things that surprised me from our little excursion to the KBB London 2011 exhibition the other week

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1: The proliferation of CGP in existing marketing

3: How much fun it is putting faces to the voices

3: The brazenness of a specific local Londoner (you know who you are)

4: Certain individuals stoical refusal to open their eyes

5: How much my feet would hurt today

1:    I cannot stress how much CGP is in current use. More over, I cannot stress how much is in use that you just won't know about. Not long ago I could open a magazine and not really have a clue. I might notice one or two obviously computer rendered images but by and large the better ones would slip by me. Now every time I open a magazine I'm on the lookout. The range in quality in CGP in a single publication of "kitchens, bedrooms and bathrooms" is staggering. The quantity is even more amazing. A good half or more of the images seemed to be CGP. To the casual onlooker the good ones will just be assumed to be photography. The lesser images will be spotted and erroneously held up as an reason why CGP will never look real.


2:   We all do it. We imagine what someone looks like when we speak to a stranger on the phone. I was wrong on all counts. No one looked as I imagined them to look. No doubt they were equally surprised as my deep, confident and dulcet tones are unfortunately not reflected in my visage.


3:   My accompanying colleague whilst quite brilliant in many facets of our business proved to be completely inept at topping up Oyster cards, the transport currency of the capital. He did in fact top up a strangers card by £20 without realising. The stranger in question looked at him, clearly wondering whether to say something or wonder off. They wondered off and I now refer to my colleague as the Oyster Fairy.


4:   Quite comically, some marketing people judge photography by the best examples and CGP by the worst examples. If they saw a poor photo they would quite rightly blame the photographer, and yet when presented with a poor CGPhoto they deride the whole medium. CGP is an art form that requires highly skilled artists and if you want to know what is possible, what is available to you, then look at the output of the talented studios. By being un-open to the possibilities CGP presents, they may be denying themselves the appropriate tool for the appropriate job.


5:   Lot of walking, lot of talking, lot of fun.